William Wordsworth in his “Preface” to the
Lyrical Ballads, outlines a theory of poetry that involves a number
of different assumptions, including the
following:
- Pleasure in poetry results, in part,
from “vivid sensation” and from language that is close to real
speech. - Good poetry can deal with “incidents and
situations from common life,” especially when such “ordinary things” and “presented to
the mind in an unusual way.” - Effective poetry can deal
with the “beautiful and permanent forms of nature,” including the “great and simple
affections” of human nature. - Wordsworth was deliberately
not trying to present the kinds of “personifications of abstract ideas” common in early
poetry. - Effective poetry can be written when its
language is close to the “language of prose.” - A poet
is
a man speaking to men: a man, it is true, endued
[that is, “endowed”] with more lively sensibility, more enthusiasm and tenderness, who
has a greater knowledge of human nature, and a more comprehensive soul, than are
supposed to be common among mankind; a man pleased with his own passions and volitions,
and who rejoices more than other men in the spirit of life that is in him . . .
.
- Poets are more
likely to be moved by memories of absent things than other people
are. - Poets have a greater capacity for expressing what
they think and feel, especially when relying on their imaginations and
memories. - The
poet,
singing a song in which all human beings join
with him, rejoices in the presence of truth as in our visible friend and hourly
companion.
- Poetry
has the ability to unite human beings in shared thoughts and feelings despite
superficial differences of language, laws, customs, and
geography. - In one of the most famous sentences he ever
composed, Wordsworth asserts that
poetry is the spontaneous overflow of powerful
feelings: it takes its origin from emotion recollected in tranquility . .
.
Wordsworth’s theory of
poetry has much in common with the theory propounded many centuries earlier in his
treatise On the Sublime. Both men thought of poetry as a kind of
lofty, ennobling, almost spiritual force that draws upon and appeals to the best aspects
of human nature.
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