Wednesday, January 20, 2016

Discuss Wordsworth's theory of poetry as propounded by him in his "Preface to Lyrical Ballads."

William Wordsworth in his “Preface” to the
Lyrical Ballads, outlines a theory of poetry that involves a number
of different assumptions, including the
following:


  • Pleasure in poetry results, in part,
    from “vivid sensation” and from language that is close to real
    speech.

  • Good poetry can deal with “incidents and
    situations from common life,” especially when such “ordinary things” and “presented to
    the mind in an unusual way.”

  • Effective poetry can deal
    with the “beautiful and permanent forms of nature,” including the “great and simple
    affections” of human nature.

  • Wordsworth was deliberately
    not trying to present the kinds of “personifications of abstract ideas” common in early
    poetry.

  • Effective poetry can be written when its
    language is close to the “language of prose.”

  • A poet
    is

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a man speaking to men: a man, it is true, endued
[that is, “endowed”] with more lively sensibility, more enthusiasm and tenderness, who
has a greater knowledge of human nature, and a more comprehensive soul, than are
supposed to be common among mankind; a man pleased with his own passions and volitions,
and who rejoices more than other men in the spirit of life that is in him . . .
.



  • Poets are more
    likely to be moved by memories of absent things than other people
    are.

  • Poets have a greater capacity for expressing what
    they think and feel, especially when relying on their imaginations and
    memories.

  • The
    poet,

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singing a song in which all human beings join
with him, rejoices in the presence of truth as in our visible friend and hourly
companion.



  • Poetry
    has the ability to unite human beings in shared thoughts and feelings despite
    superficial differences of language, laws, customs, and
    geography.

  • In one of the most famous sentences he ever
    composed, Wordsworth asserts that

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poetry is the spontaneous overflow of powerful
feelings: it takes its origin from emotion recollected in tranquility . .
.



Wordsworth’s theory of
poetry has much in common with the theory propounded many centuries earlier in his
treatise On the Sublime.  Both men thought of poetry as a kind of
lofty, ennobling, almost spiritual force that draws upon and appeals to the best aspects
of human nature.

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