William Faulkner's use of a non-linear time frame, with
            constant flashbacks and foreshadowing, is one of the most distinctive aspects of "A Rose
            for Emily." Opening the story with the death of Miss Emily and then concluding it with
            her funeral (and the bizarre aftermath), Faulkner fills in the gaps of Emily's life in a
            series of non-sequential flashbacks, explaining her actions and events that led to the
            macabre discovery in the final paragraphs. In doing so, Faulkner's narrative, apparently
            through the eyes of a detached member of the community, creates an apprehensive mood
            that adds to the mystery of the story. The opening paragraph, describing the funeral
            (but not the townspeople's inspection of the inside of her house), suggests that there
            is more to the story than just her death. It immediately builds suspense, an element
            that would be absent if the story had been told in chronological fashion. The narrative,
            with its leaps forward and backward in time, creates the impression of a story being
            told long after the event, much in the way an aging storyteller might hesitatingly
            recall the facts many years in the future. 
Faulkner's
            deliberate shifts in time may also be a way of emphasizing Miss Emily's own refusal to
            change with the times. Miss Emily was a relic of the past, living in a decrepit old
            house, witnessing the changing world of Jefferson--and the disappearing ways of the Old
            South--around her. Her one attempt at change was rebuffed when Homer refused to marry
            her, and she retreated to her old ways--scorning visitors and neighbors and watching the
            world around her from the limited view of her window.
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