The opening of the final stanza of Steven's poems
contrasts Christianity with the preceding image of pagan relion and the images of
natural order which conclude the poem. The contrast of Jesus tomb with "spirits
lingering" evokes the image in Homer's Odyssey of the pathetic shades in Hades gathering
around Odysseus unable to communicate unless given blood. In Christian doctrine, the
body as well as the spirit of Jesus (and of dead Christians) are resurrected, and thus
disembodied shades cannot exist. Thus the contrast on the one had is with the pagan
imagery of the earlier stanza in which soul and body are presumed to separate at death.
The stanza concludes, however, with an insistence on the corporeality of living beings,
suggesting that what we are is in part our physical nature, that what makes us part of
the natural order is our coporeality, and that the finality of death is the price we pay
for that participation in nature.
Tuesday, August 12, 2014
What is the significance in Stevens' "Sunday Morning" of the lines "The tomb in Palestine/ is not the porch of spirits lingering"?
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