It is true that Margaret Talbot opens her essay, "Best In
            Class", examining the Sarasota High School's valedictorian "problem." In the end, the
            former principal, Daniel Kennedy, opened a charter school and refused to give out the
            honor of valedictorian based upon the peril he faced at
            SHS.
“My
advice to other principals is, Whatever you do, do not name a
valedictorian. Any principal who does is facing
peril.”
While the focus on
            SHS basically ends here, Talbot goes on to mention the problems other high schools faced
            when determining a valedictorian.
While her "primary
            subject is neither that school [SHS] nor its students", Talbot is simply showing the
            issues that schools today face regarding the cut-throat fight to gain the
            title.
In the end, Talbot fails to offer her definitive
            opinion on the subject. Instead, she offers both alternative
            views:
In some
ways, it seems that the valedictorian is a status designed for a simpler time, when
fewer people aspired to
college.
and
readability="6">
Still, perhaps something is lost if schools
            eliminate valedictorians.
By
            doing this, Talbot's rhetorical style is one of ethos. Ethos, according to Purdue's OWL
            website, is
readability="8">
the ethical appeal is based on the character,
            credibility, or reliability of the writer. There are many ways to establish good
            character and credibility as an
            author.
Here, the author is
            simply offering an objective point of view. The author is not offering up their own
            personal feelings on the subject. Instead, they offer both sides of the argument and
            shows respect to the reader by doing so.
href="http://www.newyorker.com/archive/2005/06/06/050606fa_fact#ixzz1Xsnn53IH">
href="http://www.newyorker.com/archive/2005/06/06/050606fa_fact#ixzz1Xsngrw75">
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