The Old English poem “The Seafarer” can be considered
elegiac – that is, sorrowful in tone – in many different respects, including the
following:
- The poem opens with its speaker
explicitly declaring that the sea has swept
him
. . . back
And forth
in sorrow and fear and pain,
Showed me suffering in a
hundred ships . . .
(2-4)
- While the
lines just quoted emphasize emotional pain, ensuing lines make it clear that the speaker
has suffered much physical pain as well. - Sometimes
physical and emotional pain are united, as when the speaker declares, “Hunger tore / At
my sea-weary soul” (11-12)and when he describes how he
was
Alone in a world blown clear of
love,
Hung with icicles.
(16-17)
- The
speaker feels both physically isolated and emotionally alienated; he is cut off from
most sources of social pleasure and consolation. His only companions are sea birds who
themselves seem to be suffering and in pain. He is distant from even from kinsmen, and
no romantic companion is even mentioned. - The speaker is
not only aware of his past, present, and future sufferings at sea but is also aware that
death of some kind, from some source, is inevitable, thus giving him another reason to
feel sorrow:
No man has ever faced the
dawn
Certain which of Fate's three
threats
Would fall: illness, or age, or an
enemy's
Sword, snatching the life from his soul.
(69-72)
- Another
reason for sorrow, the speaker also soon suggests, is that the world itself has declined
from what it once was. Sorrow, then, is felt not only personally by this particular
speaker but is also felt more broadly, by many humans living at this
time:
. . . All glory is
tarnished.
The world's honor ages and
shrinks,
Bent like the men who mold it.
(92-94)
By the second half of
the poem, it is clear that the speaker is mourning not only for his own suffering but
for the suffering of all people at all times. His lamentation is mainly for the painful
mutability of life on earth.
- Ultimately,
however, in the second half of the poem and especially in its final lines, the attention
of the speaker becomes focused increasingly on God and heaven as alternatives and
answers to earthly suffering. Paradoxically, then, a poem that spends much of its
phrasing engaged in elegiac lamentation ends with a tone of clear celebration of God and
of the glories of the life to come. The sufferings the poem details for most of its
length help make the satisfactions of eternal life in heaven with God seem all the more
appealing.
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